Borderie was born in 1923 into a family of Bordeaux.

In 1942, he began a public service career as assistant inspector telecommunications.

In 1945, he was facing the painting by the poster artist Paul Colin.

In 1946, he met with Pïerre and Vera Szekely that day he settled in 48.

In 1955, he joined the group space that brings together architects and artists to promote urban art. In collaboration with Maurice Prevert, Yves Roa, Thin or Gilles Pierre Vigneron, he created several monumental sculptures.

It uses concrete, steel, stainless steel, ceramic, mosaic and painting. He turned to the tapestry at the end of the 50s encouraged by Denise and Michel Majorel Tourlière.

In 1962 he received the Grand Prix tapestry.

From the beginning of his collaboration with Szekely, he became interested in ceramics.Most of its parts are made in Senlis and baked. His interest in the ceramic will last until the end of the 70s his work became over time increasingly stripped and only keeps decenterings and engraved slip decoration.

In the late 50s he fixed his enamels range: blue, red and orange and beige and black. It uses a grog land it covers a thick slip giving a grainy or cracked during cooking. All pieces are signed until 1958 the monogram Borderie and Szekely: a cross whose foot turns into b on the right sidebar of letters S and Z. From 55, the parts are individually signed.

Borderie died in 1998 aged 75.

Black glazed ceramic cup red interior.
Signed.

H 11.5 x L 20.5 x 12.5 cm