Art » Gallery Jousse
OUR BODY IS A WEAPON - LOS DESNUDOS, MEXICO
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s all a matter of fiddling the right distance.Catherine Millet. Clarisse Hahn: People on the line. Art press, septembre 2012Clarisse Hahn questions the codes associated with the “being-together”. Not only by filming communities the rites of which she examines in details, but by disrupting the contemplator/contemplated relation. (…) Clarisse Hahn has been studying the body in its intimate and social dimension. (…) She directly disrupts her shows, confronting violent scenes while establishing emotional relations with her protagonists. Although her body is rarely involved, she does not cease to “imperil her value system”. An involvement that allows a more immediate freeing of speech. With her way of approaching reality, she explores a new route: a route that nevertheless remains truly documentary, although it appears to be pushed to its outer limits, because it welcomes its transgressions. (…) Through her balancing act on the borderline by which she upsets our relation to the world, the protocols of contemporary art (the ambulatory habits) and the documentary devices (which she freely rearranges), she takes part in bringing about the necessary changes in the genres without ever confusing them.Los desnudos, Mexico2011video installation, 2 screensSreen 1 : Los desnudos, duration : 12’17’’, format 16:9Screen 2 : La chefa, duration 7’42’’ , format 16:9Landless Mexican peasants invent a new shape of fight by using their body as place of political and social resistance : they will demonstrate completely naked in the streets of Mexico City, twice a day,...
Read More
THE PROTESTANTS
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s...
Read More
BOYZONE - ADOLESCENCE
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s...
Read More
MISE EN SCÈNE (1)
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s...
Read More
MISE EN SCÈNE (2)
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s...
Read More
MISE EN SCÈNE (3)
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s...
Read More
BOYZONE - RANCHEROS 2 (WIRIKUTA DESERT)
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s...
Read More
BOYZONE - RANCHEROS 1 (WIRIKUTA DESERT)
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s...
Read More
BOYZONE - RANCHEROS 3 (WIRIKUTA DESERT)
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s...
Read More
STONE
Price On Request Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates the world. But wether she is exploring her own family or evoking a protesting tribe across the ocean, it’s...
Read More
RITUEL. "CEM ICI", "CEM LÀ-BAS"
Price On Request Clarisse HahnRituel. "Cem ici", "Cem là-bas"2015Video installation, 2 videos, 2 screens, sound. Duration: 19 minutes.Edition of 3 + 1 a.p.Cinema of exhibition? Autobiographical cinema? Never mind the definitions, a new kind of cinema is being invented by Clarisse Hahn, who mixes genres. (…) Her camera is like an extension of her body in the way she negotiates...
Read More
MISFIT
Price On Request Thomas GrünfeldMisfit (flamingo/pig)2005taxidermy, 75 x 75 x 30 cmThomas Grünfeld's pieces are always ambiguous, or rather hybrid. They provoke in the viewer attraction and uneasiness and cause deep questioning on the nature of art, on the statute of artistic objects in general. Grünfeld work started from a reflection on the anti-aestheticism of the ‘80 and an ironic...
Read More
WAFFE
Price On Request Thomas GrünfeldWaffe2012feltThomas Grünfeld's pieces are always ambiguous, or rather hybrid. They provoke in the viewer attraction and uneasiness and cause deep questioning on the nature of art, on the statute of artistic objects in general. Grünfeld work started from a reflection on the anti-aestheticism of the ‘80 and an ironic critique of «Gemütlichkeit» (a typically german kind...
Read More