Florence Doléac sets her work in an interstitial space where design hobnobs with art, and where presentation and production methods waver between a system that is both commercial and institutional. The fact that she lays claim to this not very common stance endows her with a specific identity. The fact is that not only does Florence Doléac introduce a tension between production and exhibition, with answers that brim with wit and poetry, but she also develops a line of questioning about function and its contrasting counterpart: uselessness. Her proposals and ideas sidestep established codes in order to upset the way we usually perceive things; she intercepts our gestures by putting a finger on their limits. The incongruousness of the various situations thus created refers us to our own imagination, thus lightening a reality that is far too straitjacketed.

Peau d’housse II
2010
Synthetic fur, zip
Limited serie to 8 copies / 8 colors
Florence Doléac & Gaspard Yurkievich, Paris

Skin cover is a poncho in “deployed fur” tribute to Matthew Matégot. He dresses all the chairs and their occupants in case of extreme cold.