Louidgi Beltrame’s work is based on documenting modes of human organisation throughout the history of the 20th century. He travels to sites defined by a paradigmatic relation to modernity: Hiroshima, Rio de Janeiro, Brasilia, Chandigarh, Tchernobyl or the mining colony of Gunkanjima, over the sea off Nagasaki. His films - based on the recording of reality and the constitution of an archive - appeal to fiction as a possible way to consider History.

Energodar/Relèvement des grands panneaux du lieu d’habitation
2010
Engraved copperplate on wood, 60 x 62,5 cm.
Series of six copper plates returns to the sources of the project Energodar.