This is a beautiful pair of mahogany and rosewood serpentine side cabinets with stunning 'verde antico' marble tops in Victorian style.

 These gorgeous cabinets feature rich ormolu mounts and the insides of the cabinets provide ample storage space.

 The attention to detail throughout is second to none. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 102 x Width 100 x Depth 47 Dimensions in inches: Height 3 feet, 4 inches x Width 3 feet, 3 inches x Depth 1 foot, 6 inches Mahogany is probably one of the largest ‘families’ of hardwood, having many different varieties within its own species. Mahogany has been used for centuries in ship building, house building, furniture making etc and is the core structure of just about every 19th century vanity box, dressing case or jewellery box. It became more of a Victorian trend to dress Mahogany with these decorative veneers, such as Rosewood, Kingwood, Burr Walnut and Coromandel, so that the actual Mahogany was almost hidden from view. Mahogany itself is a rich reddish brown wood that can range from being plain in appearance to something that is so vibrant, figured and almost three dimensional in effect. Although Mahogany was most often used in its solid form, it also provided some beautifully figured varieties of veneer like ‘Flame’ Mahogany and ‘Fiddleback’ Mahogany (named after its preferred use in the manufacture of fine musical instruments). Cuban Mahogany was so sought after, that by the late 1850′s, this particular variety became all but extinct. Rosewood is a rich warm reddish brown wood that has a distinct grain with dark brown and black outlining. One variety of Rosewood can vary significantly from another even though it is of the same species. These Rosewoods, native of India, South East Asia and Brazil, were dense and awkward to work with. It was renowned for quickly bluntening cutting tools and visibly darkening in colour when over prepared. The Brazilian species of Rosewood was by far the most beautifully figured and therefore it became the most sought after and rare. This was the wood of choice for the great box makers, David and Thomas Edwards who used it to veneer some of their finest pieces. Victorian Furniture (1830 - 1901) very popular today, probably due to its accessibility more than the esthethics. There was plenty of furniture made due to the change in history of methods of manufacture, the machine had taken over and was able to produce mass amounts of Victorian furniture to satisfy the vast demand by the middle class people that desired it. Furniture history changed forever through the Victorian period. It became desirable to have a home laden with furniture to show your status to your peers. Throughout history Queen Victoria identified herself with the middle class. Therefore the furniture of this period was made for an ever-increasing middle class population. The most popular woods used to produce furniture included: mahogany, burr walnut, rosewood and ebony. Thick, darkly coloured woods with ornate carvings, high-tone gloss, richly carved silhouettes and as many flourishes and ornaments as the surface of a piece of furniture would allow were typical for this period. They were designed to give the appearance of being owned by the wealthy. Mahogany and rosewood were popular and rich colours, intensified by layering high-gloss lacquers over stained wood were highly desired. Comfort was an important consideration for purchasers who wanted their homes to be gracious reflections of their financial, so velvet cushions and brocade sofa fabric were often coordinated with velvet drapes for maximum impact. Ormolu (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'. The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object. No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt (also known as vermeil). Our reference: 02722 Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse. Shipping: We ship worldwide and deliver to Mainland UK addresses free of charge. A shipping cost to all other destinations must be requested prior to purchase. To request a shipping quote for the items in your cart, please click HERE. Delivery and return policy: We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply. In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item. The item must be returned in its original packaging and condition. Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses. Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the European Union.