This is a stunning antique French Boulle display cabinet, circa 1860 in date and in the fabulous Louis XVI manner. This cabinet is ebonised and decorated with red Boulle, exquisite ormolu mounts and brass inlay. The red Boulle work was made by a master craftsman from an intricate marquetry of tortoiseshell and cut brass. The cabinet has a pair of glazed doors enclosing a burgundy velvet lined interior with two shelves. The shelves are adjustable so you can alter the position them to suit your display pieces. It is perfect to display your collectables, and is complete with working lock and the original key. There is no mistaking the unique quality and design, which is certain to make it a talking point in your home. As such, this cabinet sure to take pride of place in your home. Condition: In excellent condition having been beautifully restored in our workshops, please see photos for confirmation. Dimensions in cm: Height 161 x Width 135 x Depth 35 Dimensions in inches: Height 5 feet, 3 inches x Width 4 feet, 5 inches x Depth 1 foot, 2 inches André-Charles Boulle (1642 – 1732), was the French cabinetmaker who is generally considered to be the preeminent artist in the field of marquetry. His fame in marquetry led to his name being given to a fashion of inlaying known as Boulle (or in 19th-century Britain, Buhl work). Boulle appears to have been originally a painter, since the first payment to him by the crown of which there is any record (1669) specifies ouvrages de peinture. He was employed for many years at Versailles, where the mirrored walls, the floors of wood mosaic, the inlaid paneling and the marquetery furniture in the Cabinet du Dauphin were regarded as his most remarkable work. These rooms were long since dismantled and their contents dispersed, but Boulle's drawings for the work are in the Musée des Arts Décoratifs, Paris. His royal commissions were numerous, as we learn both from the Comptes des B timents du Roi and from the correspondence of Louvois. Not only the most magnificent of French monarchs, but foreign princes and the great nobles and financiers of his own country crowded to him with commissions, and the mot of the abbé de Marolles, Boulle y lourne en ovale, has become a stock quotation in the literature of French cabinetmaking. Marquetry is decorative artistry where pieces of material (such as wood, mother of pearl, pewter, brass silver or shell) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. Tortoiseshell or tortoise shell is a material produced mainly from the shell of the hawksbill turtle, an endangered species. It was widely used until the 1970s in the manufacture of items such as combs, sunglasses, guitar picks and knitting needles. In 1973, the trade of tortoiseshell worldwide was banned under CITES. Tortoiseshell was attractive to manufacturers and consumers because of its beautiful appearance and its durability, and its organic warmth against the skin. Piqué-work, jewellery made from tortoiseshell inlaid with precious metals in patterns or pictures, was made during the Victorian Era and was highly prized. Ormolu (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'. The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object. No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt (also known as vermeil). Our reference: 05628w Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse. Shipping: We ship worldwide and deliver to Mainland UK addresses free of charge. A shipping cost to all other destinations must be requested prior to purchase. To request a shipping quote for the items in your cart, please click HERE. Delivery and return policy: We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply. In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item. The item must be returned in its original packaging and condition. Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses. Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the European Union.