This is a beautiful Edwardian rosewood and marquetry Davenport circa 1900 in date. The desk features marquetry decoration, hinged stationery compartment, tooled leather inset to the slope front, fitted with four end drawers, matched by dummy drawers. The flap at the back lifts up and you can store pens, pencils, letters, etc in the fitted compartments. There is an engraved plaque which reads: 'Presented to Mr Storer Hon. Sec. of The Chaddesden Floral & Horticultular Society.' It is a lovely desk which would complement any small study. Condition: In excellent condition having been beautifully restored in our workshops, please see photos for confirmation. Dimensions in cm: Height 89 x Width 54 x Depth 55 Dimensions in inches: Height 2 feet, 11 inches x Width 1 foot, 9 inches x Depth 1 foot, 10 inches Davenport Desk - (sometimes originally known as a Devonport desk) is a small desk with an inclined lifting desktop attached with hinges to the back of the body. Lifting the desktop accesses a large compartment with storage space for paper and other writing implements, and smaller spaces in the forms of small drawers and pigeonholes. The Davenport has drawers on one of its sides, which are sometimes concealed by a panel. This stack of side drawers holds up the back of the desk and most of its weight. The front of the desk stands on thick legs or pillars which are often highly carved, somewhat exaggerated, thick cabriole legs, but these are not essential. 19th century Davenport desks had a variety of different leg designs. The desk shape is distinctive; its top part resembles an antique school desk while the bottom is like one half of the supports of a pedestal desk turned sideways. The addition of the two legs in front completes the odd effect. This desk owes its name to a Captain Davenport who was the first to commission the design, from Gillow's of Lancaster, near the end of the 18th century. In a sense then it could also be considered a Campaign desk though there are no records indicating if Captain Davenport was in the British Army or the Royal Navy. This desk form was popular during the 19th century. There have been numerous reproductions during the 20th century, and amateur cabinetmakers sometimes consider a Davenport to be an interesting project. Rosewood is a rich warm reddish brown wood that has a distinct grain with dark brown and black outlining. One variety of Rosewood can vary significantly from another even though it is of the same species. These Rosewoods, native of India, South East Asia and Brazil, were dense and awkward to work with. It was renowned for quickly bluntening cutting tools and visibly darkening in colour when over prepared. The Brazilian species of Rosewood was by far the most beautifully figured and therefore it became the most sought after and rare. This was the wood of choice for the great box makers, David and Thomas Edwards who used it to veneer some of their finest pieces. Marquetry is decorative artistry where pieces of material (such as wood, mother of pearl, pewter, brass silver or shell) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs. Our reference: 06220 Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse. 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